Dakhani flourished in these princely courts and soon developed a distinct identity. Later, the Bahamani state split and four new states at Ahmednagar (1460-1633), Bijapur (1460-1686), Bidar (1487-1619) and Golconda (1512-1687) came into being. 1499) and his successors, also used Dakhani. Other Sufis, like Shah Miranji Shams al-Ushshaq (d.
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While full of words derived from many South Indian languages and also Sanskrit, the syntax of the poem is clearly Urdu. He was the first Sufi to use this vernacular, which was later used by many other Sufi saints of the region in later centuries.Īnother early work was Fakhr-I Din Nizami’s Kadam Rao, Padam Rao, said to have been composed around 1420-1430 CE. Sufi saint and scholar Khwaja Banda Nawaj (1321-1422), who moved to Gulbarga in 1398 on the invitation of the local ruler, composed a Sufi tract, Miraj-al Ashiqin in Dakhani. The establishment of the Bahamani Sultanate in the areas that comprised southern Maharashtra, northern Karnataka and parts of Telangana, established this tongue in the region. Towards the end of Tughlaq’s rule, his southern dominions asserted their independence and in 1347, Hasan Bahamani became the ruler at Gulbarga. Over the next century, Dakhani, as this tongue came to be called, began evolving independently from its northern counterpart. In time, it interacted with the other tongues of the region and began to change. Even though Tughlaq later changed his mind and moved the capital back to Delhi, the language remained. In any case, a result of these incursions, a population that spoke this northern tongue came to be in the Deccan. Others have deemed it likely that Malik Kafur’s Deccan forays, a couple of decades before Tughlaq, had already brought some Hindawi/Urdu speakers to this region. Ashraf Rafi, in his paper “Dakhni Literature: History, Culture and Linguistic Exchanges", dates this back to Muhammad-bin-Tughlaq’s time, when he moved the capital to Daulatabad (in modern-day Maharashtra) in 1327 and also ordered the people of Delhi to move to the new capital. Given its Urdu/Hindi underpinnings, to trace the origin of this tongue, one would have to trace the coming of Hindawi (Hindi’s earlier name of sorts)/Urdu to peninsular India. It is the first language of many (not all) Muslims in the region and co-exists with standard Hindi/Urdu as well as the region’s other vernaculars. In Telangana and Andhra, it borrows Telugu words in Karnataka, Kannada words in Maharashtra from Marathi, and so on.
While Urdu/Hindi forms the base of this language, in terms of its vocabulary, it draws from its northern progenitors and also from the languages of the peninsula. To put it simply, Dakhani is the language of the Deccan, a version of Urdu/Hindi spoken across a swathe of peninsular India-Maharashtra, Karnataka, Telangana, Tamil Nadu and in small pockets in Kerala. They were, in a sense, following in the footsteps of Josh Malihabadi, the Urdu poet who lived in Hyderabad for a while and dismissed its tongue as nothing more than a humorous diversion which brooked no comparison with the Urdu spoken in and around Josh’s native Awadh. The Progressive Writers’ Movement in the 1940s had also refused to consider Dakhani Urdu as a language worthy of attention and had neglected to pay attention to writings emerging from this milieu. As Syed Akbar Hyder says in his paper “Urdu’s Progressive Wit: Sulaiman Khatib, Sarvar ‘Danda’ and the Subaltern Satirists Who Spoke Up", something similar had happened a couple of decades previously as well. Tentatively titled ‘Project K’, the Prabhas and Deepika Padukone starrer is a mega canvas, pan India project that’s been in the news ever since its announcement.ĭeepika joins the team of the multi-lingual on the massive set constructed at Ramoji Filmcity as she forays into the sci-fi genre with Project K, touted to be one of the most expensive Indian films of all time.Īfter wrapping her first schedule for the film, Bollywood’s ruling queen then returns to Mumbai to complete the dub for Shakun Batra’s film and to fulfill her brand commitments.įor more updates, stay tuned to IWMBuzz.It wasn’t the first time that northern Urdu purists were behaving in this fashion. Deepika looked awe-inspiring giving us a unique fashion goal. She teamed up her outfit with silver high heels and a bun, she was all set for her day. The blazer with a white crop top was just perfect for her body. Looking every bit like the superstar she is, Deepika sported a cropped lavender blazer-pant set and looked stunning as ever. Currently living out of her suitcase, she was spotted at the airport today as she travels to Hyderbad for Nag Ashwin’s next. Having reigned at the numero uno spot for close to a decade, Deepika Padukone’s lineup is nothing short of spectacular.